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Opening Windows, Planting Seeds of Purpose

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Opening Windows, Planting Seeds of Purpose “Education is not the filling of a pail, but the lighting of a fire.” — W.B. Yeats. All I want in my life is to make my teachers and mentors proud. To do that, I have dedicated myself to one mission: opening windows to the world for others. One of the greatest gifts I’ve always owned is a clear sense of mission, vision, and purpose. I witness the profound transformation of students from diverse backgrounds as they see their dreams manifest into reality here at the Asian University for Women (AUW). For many, this is not only about achieving a goal; it is about reaching a stage where they truly understand the meaning of the word ‘dream’ itself. Human learning is a complex and complicated process. At AUW, students do not just learn subjects; they acquire the perception to define what their future should look like. They discover their own mission and purpose in life. Here, as a teacher, the most crucial contribution I can make is facilitat...

Different Paths, One Purpose: Intention and Humanity in This Land

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  1.       The Flow of Subcontinental Culture: Is religion a boundary, or is it humanity’s endless current? In Bengal’s soil, the answer has always leaned toward the latter. Human civilization revolves around two unseen forces: God and the Human Mind. Faith in them has shaped rituals, paths, and cultures across the ages, ensuring their enduring flow. One of the notable traits of this land and the subcontinent inhabitants is their ability to adapt while keeping the core intact. Like a river, culture keeps moving; its course bends, it carries plants, homes, villages, and debris to the sea. Islands form temporarily until washed away again. People, religion, and lifestyle adjust to the surroundings similarly. The culture, customs, and ethnicity of this land cannot be swiftly imposed upon or completely demolished; it must be harmonized with the existing ones. Hence, wedding songs, the Bengali New Year celebration, Haalkhata, and harvest festivals have all f...

Hope in Every Dawn - Shuva Karmaker

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  “Imagine there’s no heaven  It’s easy if you try  No hell below us  Above us, only sky  Imagine all the people  Livin’ for today.” Remember these iconic words coined by John Lennon in his song ‘Imagine’ ? This song has been resonating across generations, inspiring countless individuals to envision a world beyond borders, divisions, and prejudices. It was mid-afternoon, and my plates were full of various tasks, cooking my own thoughts blending with mighty overthinking skills as well as new challenges. Though taking and tackling challenges is one of the most loving habits I have grown into myself, to have a break, I opened YouTube and got this repeated suggestive favorite song. A bunch of wonderful words clicked in my mind with an instant realization, questioning myself: what could be simpler and more straightforward but profound than this wonderful saying for a happy and peaceful world? At first glance, the song may seem unrealistic. None can deny that. ...

āύাāĻŽ āϤাāϰ “āĻŽা⧟া”

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āφāĻŽাāϰ āĻŽāϤ āĻĒাāĻŦāϞিāĻ• āĻŦিāĻļ্āĻŦāĻŦিāĻĻ্āϝাāϞ⧟েāϰ āĻļিāĻ•্āώাāϰ্āĻĨী, āϝাāĻĻেāϰ āĻĻāĻļāĻ•ে āĻāĻ•āĻŦাāϰ; ā§Ģ⧍ āĻŦāĻ›āϰে āĻŽাāϤ্āϰ ā§Ŧ āĻŦাāϰ āϏāĻŽাāĻŦāϰ্āϤāύ āϤো āĻĒāϰেāϰ āĻŦিāώ⧟, āĻļ্āϰেāĻŖীāĻ•āĻ•্āώেāχ āĻļিāĻ•্āώāĻ• āĻ…āύি⧟āĻŽিāϤ āφāϏেāύ āϤাāĻĻেāϰ āϜāύ্āϝ āϏāĻŽাāĻŦāϰ্āϤāύ āĻšā§ŸāϤ āĻ–ুāĻŦāχ āĻŦিāĻļেāώ āĻāĻ•āϟি āĻĻিāύ। āĻ•িāύ্āϤু āϏংāĻ—āϤ āĻ•িāĻ›ু āĻ•াāϰāĻŖে āĻ āύি⧟ে āφāĻŽাāϰ āωāϤ্āϤেāϜāύা āĻ›িāϞ āύা, āφāĻ—্āϰāĻš āĻ›িāϞ। āφāĻļেāĻĒাāĻļেāϰ āĻĒ্āϰা⧟ āϏāĻŦাāχ āϤাāĻĻেāϰ āĻŽা-āĻŦাāĻŦাāĻ•ে āύি⧟ে āφāϏāϞেāĻ“ āϏ্āĻŦাāϏ্āĻĨ্āϝ āĻুঁāĻ•িāϰ āĻŦ্āϝাāĻĒাāϰāϟা āĻŽাāĻĨা⧟ āϰেāĻ–ে āĻāϰāĻ•āĻŽ āϜāύāĻŦāĻšুāϞ āϜা⧟āĻ—া⧟ āφāĻŽাāϰ āĻŽা-āĻŦাāĻŦাāĻ•ে āφāύāϤে āĻāĻ•āĻĻāĻŽāχ āχāϚ্āĻ›ে āĻšā§Ÿ āύি। āϤাāĻ›া⧜া āχāϤোāĻŽāϧ্āϝে āĻļিāĻ•্āώাāϜীāĻŦāύ āĻļেāώ āĻ•āϰāĻŦাāϰ āφāĻ—ে āφāĻ—ে āĻ›েāϞেāϰ āĻĒ্āϰāĻĨāĻŽ āĻ•āϰ্āĻŽāϏ্āĻĨāϞে āĻĒ্āϝাāϰেāύ্āϟāϏ āχāύিāϏি⧟েāĻļāύ āĻĒে⧟ে āϝাāĻ“ā§Ÿা⧟ āϤাāĻĻেāϰāĻ“ āφāĻ—্āϰāĻš āĻ›িāϞ āĻ•āĻŽ। āĻ›োāϟāĻŦেāϞা āĻĨেāĻ•েāχ āφāĻŽাāϰ āĻ›োāϟো āĻ›োāϟো āĻ…āϰ্āϜāύে āĻŦাāĻŦা-āĻŽাāĻ•ে āϝে āĻĒāϰিāĻŽাāĻŖ āĻ—āϰ্āĻŦ āĻ•āϰāϤে āĻĻেāĻ–েāĻ›ি āϏেāϟা āϜীāĻŦāύেāϰ āĻŦ⧜ āĻĒাāĻ“ā§ŸাāĻ—ুāϞোāϰ āĻŽāϧ্āϝে āĻļ্āϰেāώ্āĻ । āϏāĻŽাāĻŦāϰ্āϤāύেāϰ āφāĻ—েāϰ āĻĻিāύ, ⧍ā§Ē āĻĢেāĻŦ্āϰু⧟াāϰি ⧍ā§Ļā§¨ā§Š, āĻļুāĻ•্āϰāĻŦাāϰ āĻŦিāĻ•েāϞে āĻ­াāĻŦāύা ’ āĻ•ে āĻĻেāĻ–āϞাāĻŽ āĻ“āϰ āĻĻিāĻĻা āφāϰ āĻŽাāĻ•ে āύি⧟ে āϘুāϰāϤে āĻŦেāϰ āĻšā§ŸেāĻ›ে। āϏāĻŦাāχāĻ•ে āĻāĻ•āϏাāĻĨে āĻ­ীāώāĻŖ āĻ­াāϞো āϞাāĻ—āĻ›িāϞ āĻĻেāĻ–āϤে। āĻ“āϰ āĻĻিāĻĻাāĻ•ে āĻĻেāĻ–ে āφāĻŽাāϰ āĻĻিāĻĻাāϰ āĻ•āĻĨা āĻŽāύে āĻĒ⧜āĻ›িāϞ āĻ­ীāώāĻŖ। āĻ–ুāĻŦ āĻŽিāϏ āĻ•āϰāĻ›িāϞাāĻŽ āϏাāϰা āϏāύ্āϧ্āϝা āϜু⧜ে। āĻŽা'āϰ āĻĒāϰে āϝে āĻ­āĻĻ্āϰāĻŽāĻšিāϞা āĻ•োāύāĻ“ āϏ্āĻŦাāϰ্āĻĨ āĻ›া⧜া āφāĻŽাāĻ•ে āϏāĻŦāϟুāĻ•ু āĻĻি⧟ে āĻ­াāϞāĻŦেāϏেāĻ›েāύ āϤিāύি āφāĻŽাāϰ āĻĻিāĻĻা। āύাāĻŽ ‘āĻŽা⧟া’। āĻĒুāϰāύো āĻĒ্āϰāϜেāĻ•্āϟāϰেāϰ āĻĒāϰ্āĻĻা⧟ āĻŦৃāώ্āϟিāϰ āĻĢোāϟাāϰ āĻŽāϤ ...

āĻļুāĻ­ āϜāύ্āĻŽাāώ্āϟāĻŽী

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āĻ•োāύ āϰাāϧা-āĻ•ৃāώ্āĻŖāĻ•ে āĻĒূāϜāĻ›েāύ āφāĻĒāύি? āĻļ্āϰীāĻ•ৃāώ্āĻŖেāϰ āϜāύ্āĻŽāϤিāĻĨি āφāϜ। āĻļুāϰুāϤেāχ āĻŦāϞে āϰাāĻ–ি, āĻāĻ•āϟা āϏāĻŽā§Ÿ āĻĒāϰ্āϝāύ্āϤ āĻļ্āϰীāĻ•ৃāώ্āĻŖ āĻŦāϰাāĻŦāϰāχ āφāĻŽাāϰ āĻ…āĻĒāĻ›āύ্āĻĻ āĻ›িāϞেāύ। āĻ•াāϰāĻŖāϟা āĻšāϞ āĻĒ্āϰāϚāϞিāϤ āϰাāϧা-āĻ•ৃāώ্āĻŖেāϰ āĻĒ্āϰেāĻŽেāϰ āĻŦা āĻ•াāĻŽāύা-āĻŦাāϏāύাāϰ āĻ—āϞ্āĻĒ āφāĻŽাāϰ āĻŽোāϟেāĻ“ āĻ­াāϞো āϞাāĻ—ে āύি। āĻ•িāύ্āϤু āĻŽāĻšাāĻ­াāϰāϤ āϜাāύাāϰ āĻĒāϰে āĻ•ুāϰুāĻ•্āώেāϤ্āϰেāϰ āĻļ্āϰীāĻ•ৃāώ্āĻŖেāϰ āϝে āϰূāĻĒ āĻĒাāχ, āϤা āĻ›িāϞ āĻĒুāϰোāχ āωāϞāϟো। āϤিāύি āĻŦāύ্āϧু, āĻļিāĻ•্āώāĻ•, āϏāύ্āϤাāύ, āĻ…āĻĨāĻŦা āĻļাāϏāĻ• āϚāϰিāϤ্āϰ- āϏāĻŦ āϜা⧟āĻ—াāϤেāχ āϏেāϰা, āĻ…āϤুāϞāύী⧟ āĻāĻŦং āĻ…āύুāĻ•āϰāĻŖী⧟। āĻāĻŦাāϰ āĻŽূāϞ āϘāϟāύা⧟ āĻĢিāϰি... Wiki āĻ…āύুāϝা⧟ী āϧাāϰāĻŖা āĻ•āϰা āĻšā§Ÿ āωāύাāϰ āϜāύ্āĻŽ āĻ–্āϰিāώ্āϟেāϰ āϜāύ্āĻŽেāϰ āĻ•āĻŽāĻĒāĻ•্āώে ā§Ž/⧝āĻŽ āĻļāϤাāĻŦ্āĻĻী āĻĒূāϰ্āĻŦে। āĻŽāĻšাāĻ­াāϰāϤ āύাāĻŽে āϝে āĻ—্āϰāύ্āĻĨāϟিāϤে āϤাāϰ āĻŦিāĻŦāϰāĻŖ āϞেāĻ–া, āϤাāϰ āϰāϚāύা āĻšā§ŸেāĻ›িāϞ āĻ•āĻŽāĻĒāĻ•্āώে āĻ–্āϰিāώ্āϟāĻĒূāϰ্āĻŦ ā§Š/ā§Ēāϰ্āĻĨ āĻļāϤাāĻŦ্āĻĻীāϤে। āĻŽāĻšাāĻ­াāϰāϤ āĻ›া⧜াāĻ“ āĻļ্āϰীāĻ•ৃāώ্āĻŖেāϰ āϜীāĻŦāύāĻ•াāĻšিāύী āϝে āĻĻুāϟি āύিāϰ্āĻ­āϰāϝোāĻ—্āϝ āĻ—্āϰāύ্āĻĨে āϞেāĻ–া āϤাāϰ āĻāĻ•āϟি āĻšāϞ 'āĻšāϰিāĻŦংāĻļ' āφāϰেāĻ•āϟি āĻšāϞ 'āĻļ্āϰীāĻŽā§Ž āĻ­াāĻ—āĻŦāϤ'। āφāĻļ্āϚāϰ্āϝ āϞাāĻ—āϞেāĻ“ āϏāϤ্āϝ āϝে, āϤিāύāϟি āĻ—্āϰāύ্āĻĨেāϰ āĻ•োāĻĨাāĻ“ āĻļ্āϰীāĻ•ৃāώ্āĻŖেāϰ āϏুāĻĻীāϰ্āϘ ⧧⧍ā§Ģ āĻŦāĻ›āϰেāϰ āϜীāĻŦāύে ‘āϰাāϧা’ āύাāĻŽāĻ• āĻ•োāύ āύাāϰীāϰ āĻ…āϏ্āϤিāϤ্āĻŦ āĻŦিāĻļেāώāĻ­াāĻŦে āĻĒাāĻ“ā§Ÿা āϝা⧟ āύি। āĻŽāϜাāϰ āĻŦিāώ⧟ āĻšāϚ্āĻ›ে, āϜāύ্āĻŽেāϰ āĻŽাāϤ্āϰ āϏাāϤ āĻĨেāĻ•ে āĻĻāĻļ āĻŦāĻ›āϰ āĻĒāϰ্āϝāύ্āϤ āĻļ্āϰীāĻ•ৃāώ্āĻŖ āĻŦৃāύ্āĻĻাāĻŦāύে āĻ›িāϞেāύ, āϝāĻ–āύ āϰাāϧাāϰ āĻŦ⧟āϏ āωāύিāĻļ āĻĨেāĻ•ে āĻŦাāχāĻļ āĻŦāĻ›āϰ। āϰাāϧা āύাāĻŽে āϝাāĻ•ে āĻĒাāĻ“ā§Ÿা āĻ—ি⧟েāĻ›িāϞ āϤাāϰ āϏ...

āĻŦাংāϞা āĻ—াāύ āĻāĻŦং āφāĻŽি

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āϝিāύি āĻŽāĻšাāĻ•াāĻļেāϰ āϰāĻŦিāϰ āĻŽāϤāχ āϏাāĻšিāϤ্āϝ āĻ“ āϏংāĻ—ীāϤেāϰ āĻ—āĻ—āύে āĻĒ্āϰোāϜ্āϜ্āĻŦāϞ āφāĻŽাāϰ āĻ•াāĻ›ে āϏেāχ āφāĻĻি āĻ‹āώিāĻ•āĻŦি āĻšāϞেāύ āĻ•āĻŦিāĻ—ুāϰু āϰāĻŦীāύ্āĻĻ্āϰāύাāĻĨ। āϝাāϰ āϰāϚāύাāϰ āĻ­াāĻŦ-āφāĻŦāĻš āφāϰাāϧāύাāϰ āĻŽāϤ, āφāĻ›ে āϜীāĻŦāύেāϰ āϏāĻŦ āĻ•িāĻ›ুāϤে āĻ•াāωāĻ•ে āύি⧟ে āύিāĻŦি⧜ āĻ…āύুāϧাāĻŦāύ। āϏে āĻšāϤে āĻĒাāϰে āĻĒāϰāĻŽাāϤ্āĻŽা āĻ•িংāĻŦা āĻĒ্āϰি⧟āϤāĻŽা। āĻ•েāĻŽāύ āϝেāύ āϏāĻŦ āĻ›ে⧜ে āϤাāϤে āύিāϜেāĻ•ে āϏāĻŽāϰ্āĻĒāĻŖ! āϝেāĻŽāύāϟা āĻĒ্āϰāϏূāύ āϝোāĻļীāϰ āĻ•āĻĨা⧟, "meraa yaar hai rab vargaa, Dildaar hai rab vargaa, Ishq karun yaa karun ibaadat, Ekko hi gal ai.." āĻ•িāύ্āϤু āϏে āϏāĻŽāϰ্āĻĒāĻŖে āφāĻ›ে āĻĒ্āϰāϚুāϰ āĻĒ্āϰাāϚুāϰ্āϝ, āφāĻ­িāϜাāϤ্āϝ। āϝাāĻ•ে āĻāĻ• āĻ•āĻĨা⧟ āĻŦāϞāĻŦো The Great Bengali Aristocracy. āφāϜ āĻĒāϰ্āϝāύ্āϤ āĻ•āĻŦিāĻ—ুāϰুāϰ āϝāϤāĻ—ুāϞো āĻ—াāύ āĻļুāύেāĻ›ি, āĻŽāύে āϧāϰে āύি āĻŦāϞে āĻ•āĻ–āύāχ āĻ•োāύোāϟা āĻŽāύে āĻšā§Ÿ āύি। āϤাāϰ āĻŽāϤ āĻĒ্āϰাāϚীāύāϤ্āĻŦ āĻ“ āφāϧুāύিāĻ•āϤাāϰ āϏুāĻŦিāύ্āϝāϏ্āϤ āĻŽিāĻļ্āϰāĻŖ āĻ­ীāώāĻŖ āĻĻূāϰ্āϞāĻ­। āϤাāχ āϰāĻŦীāύ্āĻĻ্āϰāύাāĻĨ āϝāĻĨাāϰ্āĻĨāχ āĻŦাāĻ™াāϞিāϰ āφāĻļীāϰ্āĻŦাāĻĻ āĻāĻŦং āϏāϰ্āĻŦāύাāĻļ। āĻ…āϤুāϞ āĻĒ্āϰāϏাāĻĻ, āϰāϜāύীāĻ•াāύ্āϤ āĻāĻŦং āĻĄিāĻāϞ āϰা⧟- ā§Š āϜāύেāϰāχ āϞেāĻ–āύী āĻ“ āϏুāϰ āĻŦ্āϰাāĻš্āĻŽāϏāĻŽাāϜেāϰ āϏ্āϤুāϤিāϰ āĻŽāϤ, āĻ—āĻŽ্āĻ­ীāϰ āϝে āĻ­াāĻŦেāϰ āĻ›āύ্āĻĻ। āĻŽাāĻেāĻŽāϧ্āϝে āĻŽāύে āĻšā§Ÿ āĻŽāϰ্āϤ্āϝāϞোāĻ•ে āĻŦ্āϰāĻš্āĻŽা-āĻĒূāϜাāϰ āĻĒ্āϰāϚāϞāύ āĻĨাāĻ•āϞে āϤাāĻĻেāϰ āĻ—াāύāĻ—ুāϞোāχ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āϤুāώ্āϟ āĻ•āϰা āĻšāϤ। āφāϰ āϝাāϰা āĻŦāϞেāύ āĻ…āĻ­িāĻŽাāύ āĻļুāϧু āĻŽে⧟েāĻĻেāϰāχ āĻĨাāĻ•ে, āϤাāϰা āύāϜāϰুāϞেāϰ āϞেāĻ–াāĻ—ুāϞো āĻĒ⧜ে āĻĻেāĻ–āϤে āĻĒাāϰেāύ। āĻŦাংāϞা āĻ—াāύে āĻ—āϜāϞ, āĻ•াāĻ“ā§ŸাāϞী, āĻļ্āϝাāĻŽা āϏং...

āĻĻুāϟি āĻŦিāύীāϤ āĻ…āύুāϰোāϧ!

  āĻĻুāϟি āĻŦিāύীāϤ āĻ…āύুāϰোāϧ! āφāĻĒāύাāϰ āĻ­াāχ, āĻŦāύ্āϧু-āĻŦাāύ্āϧāĻŦ āĻŦা āĻĒāϰিāϚিāϤ, āĻļুāĻ­াāĻ•াāĻ™্āĻ•্āώী āĻ•েāω āϝāĻĻি āĻ­াāϞো āĻ›āĻŦি āφঁāĻ•ে/āϤোāϞে, āĻ—াāύ āĻ—া⧟, āϏুāϰ āĻ•āϰে, āϞেāĻ–ে, āĻ­াāϞো āϝāύ্āϤ্āϰ āĻŦাāϜা⧟, āĻ…āĻ­িāύ⧟ āĻ•āϰে āĻŦা āĻļāϰ্āϟ āĻĢিāϞ্āĻŽ āĻŦাāύা⧟- āĻāύাāĻĻেāϰ āĻĻি⧟ে āĻŽাāĻ—āύা āĻŽাāĻ—āύা āĻ•াāϜ āĻ•āϰাāύোāϰ āϚিāύ্āϤা āĻŦাāĻĻ āĻĻি⧟ে āĻĻেāύ। "āϟিāĻ-āĻĄিāĻ āĻĻিāĻŦো /āĻ•াāϰ্āϟেāϏি āĻŽিāϞ āĻĻেāχ āφāĻŽāϰা/ āϤোāĻŽাāϰ āĻ—াāύāϟা āφāĻŽাāϰ āύাāϟāĻ•ে āĻ•াāϜে āϞাāĻ—াāϞে āϞাāχāĻŽāϞাāχāϟ āĻĒাāĻŦা/ āφāĻŽাāĻĻেāϰ āĻāĻ–াāύে āĻļো āĻ•āϰে āĻĒ্āϰāϚুāϰ āĻšাāχāϞাāχāϟ āĻĒাāĻŦা"- āĻāϏāĻŦ āĻ•্āώেāϤ্āϰāĻŦিāĻļেāώ āĻ›া⧜া āϚāϰāĻŽ āϞেāĻ­েāϞেāϰ āĻ­াঁāĻ“āϤাāĻŦাāϜি। āϝোāĻ—্āϝāϤা, āĻĒ্āϰāϤিāĻ­া āφāϰ āĻĒāϰিāĻļ্āϰāĻŽ āĻ›া⧜া āĻ•েāω-āχ āϏুāϝোāĻ— āĻĒা⧟ āύা, āĻ•াāωāĻ•ে āĻĻে⧟ āύা। āĻĢ্āϰি-āϤে āϏāĻŦ āĻĒাāχāϞে āĻ•āĻĻāϰ āĻ•āϰাāϟা āĻ­ুāϞে āϝা⧟ āĻŽাāύুāώ। āϝিāύি āĻ…āĻ­িāύ⧟ āĻ•āϰেāύ, āϤিāύি āĻĻীāϰ্āϘāĻĻিāύ āĻ…āύুāĻļীāϞāύেāϰ āĻŽাāϧ্āϝāĻŽে āύিāϜেāϰ āϏেāϰাāϟা āĻŦেāϰ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāĻ›েāύ। āϝিāύি āĻ—াāύ āĻ•āϰেāύ, āϤিāύি āĻ›োāϟāĻŦেāϞা āĻĨেāĻ•ে āϏāĻŦ āĻĢেāϞে āĻ“āϏ্āϤাāĻĻāϜীāϰ āĻ•াāĻ›ে āϤাāϞিāĻŽ āύি⧟ে āύি⧟āĻŽāĻŽাāĻĢিāĻ• āϰেāĻ“ā§ŸাāϜ āĻ•āϰে āĻ—āϞা āϏেāϧে āϏাāϧāύা āĻ•āϰেāĻ›েāύ। āϝিāύি āĻ›āĻŦি āφঁāĻ•েāύ āϤিāύিāĻ“ āϏাāϧāύা āĻ•āϰে āĻļিāĻ–āĻ›েāύ, āϝিāύি āϞিāĻ–āĻ›েāύ āϤিāύিāĻ“ āĻ…āύāĻŦāϰāϤ āύিāϜেāĻ•ে āĻাāϞাāχ āĻ•āϰে āϝাāϚ্āĻ›েāύ। āĻāĻŽāύো āĻšāϤে āĻĒাāϰে, āϤাāϰা āϝāĻ–āύ āϏাāϧāύা āĻ•āϰāĻ›েāύ, āĻ…āύ্āϝāϰা āĻšā§ŸāϤ āϏে āϏāĻŽā§Ÿāϟা āĻŦিāύোāĻĻāύেāϰ āĻĒেāĻ›āύে āϏāĻŽā§Ÿ āĻ•াāϟাāϚ্āĻ›ে। āĻŽāϏ্āϤিāώ্āĻ• āĻĒ্āϰāϏূāϤ āϏৃāώ্āϟি-āĻļিāϞ্āĻĒ āĻ…āĻŽূāϞ্āϝ āϏāĻŽ্āĻĒāĻĻ āĻšāϞেāĻ“ āĻŽূāϞ্āϝāĻšীāύ āύা। āϝāĻĨাāϝāĻĨ āĻĻাāĻŽ āĻĻে⧟া āĻ…āϏāĻŽ্āĻ­āĻŦ āĻšāϞেāĻ“ āĻ•āĻĻāϰ āĻ•āϰা āĻ…āϏāĻŽ্āĻ­āĻŦ...